Bibliography & Credits

Primary Sources

Austen, Jane. Emma. Edited by Kristin Flieger Samuelian, Broadview Press, Ltd., 2004.

Austen, Jane. Mansfield Park. Penguin Books Ltd., 2006.

Emma. Directed by Diarmuid Lawrence, performances by Kate Beckinsale, Samantha Morton, Samantha Bond and Mark Strong. Independent Television Network, 1996.

“Episode Three.” Emma, written by Sandy Welch, directed by Jim O’Hanlon, BBC One, 2009.

“Episode Four.” Emma, written by Sandy Welch, directed by Jim O’Hanlon, BBC One, 2009.

Gal, Maya. “To his Royal Highness the Prince Regent.” Web blog post. John Murray in 1816. WordPress.com, 15 Nov. 2016. Web. 4 Dec. 2016

 

Secondary Sources

1.

Despotopoulou, Anna. “Girls on Film: Postmodern Renderings of Jane Austen and Henry James.” The Yearbook of English Studies, vol. 36, no. 1, 2006, pp. 115-130. JSTOR. http://www.jstor.org/stable/3508740. 17 Nov. 2016.

2.

Gevirtz, Karen. “Tidying as We go: Constructing the Eighteenth Century through Adaptation in Becoming Jane, Gulliver’s Travels, and CrusoeStudies in Eighteenth-Century Culture, vol. 43, 2014, pp. 219-237. Project Muse. Web. 17 Nov. 2016.

3.

Harris, Jocelyn. “Jane Austen, Jane Fairfax, and Jane Eyre.” Persuasions: The Jane Austen Journal, vol. 29, no. 29, 2007, pp. 99-109. Literature Online. Web. 10 Nov. 2016.

4.

Kissane, James. “Comparison’s Blessed Felicity: Character Arrangement in “Emma”.” Studies in the Novel, vol. 2, no. 2, 1970, pp. 173-184. JSTORhttp://www.jstor.org/stable/29531387. 17 Nov. 2016.

5.

Kline, Karen E. “‘The Accidental Tourist’ On Page and On Screen: Interrogating Normative Theories About Film Adaptation.” Literature/ Film Quarterly, vol. 24, no. 1, 1996, pp. 70-83. ProQuest. Web. 17 Nov. 2016.

6.

Leitch, Thomas. “Twelve Fallacies in Contemporary Adaptation Theory.” Criticism, vol. 45, no. 2, 2003, pp. 149-171. JSTORhttp://www.jstor.org/stable/23126342. 17 Nov. 2016.

7.

Moore, E. Margaret. “Emma and Miss Bates: Early Experiences of Separation and the Theme of Dependency in Jane Austen’s Novels.” Studies in English Literature, 1500-1900, vol. 9, no. 4, 1969, pp. 573-585. JSTORhttp://www.jstor.org/stable/450033. 17 Nov. 2016.

8.

Scholz, Anne-Marie. “Adaptation as Reception: How a Transnational Analysis of Hollywood Films Can Renew the Literature-to-Film Debates.” Amerikastudien / American Studies, vol. 54, no. 4, 2009, pp. 657-682. JSTORhttp://www,jstor.org/stable/41158469. 17 Nov. 2016.

9.

Thaden, Barbara Z. “Figure and Ground: The Receding Heroine in Jane Austen’s ‘Emma.’” South Atlantic Review, vol. 55, no. 1, 1990, pp. 47–62. JSTOR. www.jstor.org/stable/3199872. 17 Nov. 2016.

10.

Thornell, Kristel. “Film Adaptations of Emma: Between Agency and Submission.” Mosaic: A Journal for the Interdisciplinary Study of Literature, vol. 43, no. 3, 2010, pp.17-33. ProQuest. Web. 17 Nov. 2016.

11.

Tobin, Mary-Elisabeth Fowkes. “Aiding Impoverished Gentlewomen: Power and Class in “Emma”.” Criticism, vol. 30, no. 4, 1988, pp. 413-430. JSTORhttp://www.jstor.org/stable/23112083. 17 Nov. 2016.

 

Header image sources

Start Here: Project Proposal Header

Original Blog Posts on Jane Fairfax

Introduction

1996 ITV adaptation: Hartfield

1996 ITV adaptation: Donwell Abbey

1996 ITV adaptation: Box Hill

1996 ITV adaptation Conclusions

2009 BBC adaptation: Hartfield

2009 BBC adaptation Donwell Abbey

2009 BBC adaptation Box Hill

2009 BBC adaptation Conclusions

Bibliography & Credits

 

Other resources of interest

The Governess in the Age of Jane Austen

The Publishing History of Jane Austen’s Emma

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